In the new Superliga, all players wear masks, and the same shirt is shared by several individuals throughout a match. Celebrity status has been replaced by collective movement, where no one owns the game alone, and anyone can step in. Hip-hop has left its mark: stylish errors are celebrated as much as precision goals, and attitude outweighs statistics. All gear is DIY and crafted collaboratively by the team – gold fronts, chains and modified boots are made in the clubhouse workshop and worn as shared expressions. Shirts bear no names, and even in the comment sections, people speculate less about who is playing and more about how it’s done – together.
Aarhus’er #1
Kristoffer Ørum & Emilio Hestepis: Aarhus’er #1 Kunsthal Aarhus closed on 2 November 2025
Aarhus’er #1 is a collaborative exhibition by artist Kristoffer Ørum and rapper Emilio Hestepis. Together, they reimagine the city of Aarhus through hip-hop, DIY culture and artificial intelligence, transforming Kunsthal Aarhus into a fictional version of the city shaped by alternative rhythms, graffiti and speculative memory.
The exhibition presents a 15-metre legal graffiti wall, a giant record player, lo-fi mixtapes, deepfakes, DIY furniture, and historical snapshots from a city that could have been. At its centre is hip-hop—not as a fixed genre, but as a set of evolving loca l practices. DJing, MCing, breakdance and graffiti appear in distorted, Aarhus-specific forms that blur fact and fiction, protest and play.
The show is the most expansive chapter to date in Ørum’s ongoing counterfactual project Frihed, lighed og hip-hop. But here, that work becomes something new—a shared platform developed in close collaboration with Hestepis, who also contributes an original soundtrack.
With thanks to Katrine Malinovsky, Mathias Borello, Hannah Mathiesen Keegan, Michael Bolt Fisher, Salling, Batch Productions, Brian Sørensen, Tania Ørum, and many more.
