STATES OF DIFFUSION (Boston edition part 2 of 8)
The so-called “Boston Technique” arrived in Denmark on distorted mix-tapes, featuring Boston artists rhyming about making spray cans with specialized nozzles and pressure mechanisms for producing tones and making radio transmissions. Subsequently, these methods surfaced in the new European zines that we began to see locally, their pages paint-spattered and filled with annotations from other tagphreakers striving to decode the Boston approach. Many nights we pored over blurry illustrations and photographs, attempting to comprehend how they’d retrofitted standard spray paint caps to manage pressure and flow while incorporating signal-generating technology. What few images were available to us revealed apparatus constructed inside partially hollow Krylon cans, equipped with miniature transmitters, frequency modulators and diffusion modulators. Despite lacking access to the components we saw in the photos, we continually discussed how to create similar tools using regional resources. Throughout those years, we carefully examined the photocopied blueprints trying to build our own functioning ‘ternary’ arrangements. Slowly we uncovered what Boston Tagphreaks had know for a long time as we began to mix pressurized paint processors with ternary transmitters.
States of Diffusion is a part of DATA FLUENCIES: Rivulets April 18 – June 15, 2025 Opening April 18, 6–9pm Fridays, 4pm–9pm; Saturdays and Sundays, 12pm–6pm
Boston Cyberarts, 141 Green Street, Boston, MA, USA
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